| SCHEDULE April 7, Friday 2:00 – 3:00pm Registration 3:15 – 4:45pm Graduate Student Presentations
Panel: Breaking the Archive: Hip Hop as Resistant Choreography
Location: ARTS 100
Moderated by: Jacqueline Shea Murphy (UC Riverside, Dance)
Carla Melo (UCLA, Theater Department)
Live from the Front: Slamming Mass-Media Archive through the Tactics of Witnessing
Ariel Scott (Columbia University, Anthropology)
Staging Street: Traversing Choreographies in Contexts
Panel: Performing Gender
Location: ARTS 166
Moderated by: Erika Suderburg (UC Riverside, Art)
Darryl Kent Clark (SUNY Brockport, Dance)
“BrainStorm” from The Substance of Glitter, an MFA Thesis
Denise Posnak (University of Illinois at Urbana-Champaign, Dance)
Up There, Dance Film
Victoria Watts ( George Mason University, Cultural Studies)
“I am for you what you want me to be”: the naked body, the semiotic and the risk of a co-opted intelligibility.
5:30 – 6:30pm (dis)junctions Keynote address by Dr. James Kincaid (USC) 6:45 – 7:45pm Reception 8:00pm Performance by Bre Performing Ensemble
April 8, Saturday 9:00 – 10:00am Registration 10:15 - 11:45am Graduate Student Presentations
Panel: Constructions of National Identity
Location: PE 102
Moderated by: Anthea Kraut (UC Riverside, Dance)
Annie Cheng (UC Riverside, Dance)
Performing Ethnicity/Authenticity: Negotiating Ethnic Identities on Contemporary Chinese Dance Stage
Adrienne Stroik (UC Riverside, Dance)
Turner Bodies: Superseding Ethnicity
Elizabeth Venable (UC Riverside, Dance)
Irish America, Nationalism, Race and Popular Irish Dancing
Panel: Sound, Rhythm and Science
Location: ARTS 100
Moderated by: Renée Coulombe (UC Riverside, Music)
Courtney Andrews (SUNY Brockport, Dance)
Investigating Rhythms of Movement
Jenn Joy (NYU, Performance Studies)
Scattering Sound: Choreographing Movement as Language
Mathew Sandoval (NYU, Gallatin School of Individualized Study)
The Body’s Potential: The Science of Elizabeth Streb
Panel: Choreographic Methodologies
Location: ARTS 166
Moderated by: Margit Edwards (California State L.A., Dance and Theatre Arts)
C-c Braun ( Arizona State University, Dance)
Wild Child
Cynthia Ling Lee and Jin-Sook Yang (UCLA, World Arts and Cultures)
underwater, light refracts: I translate you into me
Hana van der Kolk (UCLA, World Arts and Cultures)
All at Once: Dancing The Ridge in New York City Parks (a performative reading)
12:00 – 1:15pm Lunch 1:30 – 2:30pm Keynote address by Dr. André Lepecki 2:45 – 4:15 Graduate Student Presentations
Panel: Re-Viewing Ballet’s Past and Present
Location: PE 102
Moderated by: Jill Nunes Jensen ( Loyola Marymount University, Dance)
Rachel Mann (UC Santa Barbara, English)
"Her heart is breaking, her mind wanders, her feet begin to move...”: Enacting and Embodying Giselle's Mad Scene
Cortney Mild ( University of Utah, Ballet)
Antinomy in the Choreographic and Pedagogical Styles of August Bournonville
Stephanie Powell ( Long Beach City College, Dance)
African-American Ballerinas in Classical and Romantic Ballet
Panel: Applications of Laban Movement Analysis
Location: ARTS 100
Moderated by Sally Ness (UC Riverside, Anthropology)
Ramie Becker (UC Riverside, Dance)
Solid, Liquid, Man and Machine: Motifing Popular Dance Forms in the Digital Age
Hilary Bryan (UC Davis, Theater and Dance)
Who Wants to Fight? – BodyMind either/or and/or both/and
Shakina Nayfack (UC Riverside, Dance)
Butoh Fu, Becoming Movement: Notions and Notations of Transformation
Panel: Collaborating Choreographies
Location: ARTS 166
Moderated by: Alison Bory (UC Riverside, Dance)
Liz Casebolt (UC Riverside, Dance) and Joel Smith ( Scripps College, Cerritos College)
In the Space Provided
Cid Pearlman (UCLA, World Arts and Cultures)
Dancers: Harmony Bench and Hana van der Kolk
2
Sue Roginski and Rosie Trump (UC Riverside, Dance)
The Grand Gesture
4:30 – 6:00pm Graduate Student Presentations
Panel: Interfacing Dance, Computers and Audience
Location: PE 102
Moderated by: Derek Burrill (UC Riverside, Dance)
Harmony Bench (UCLA, World Arts and Cultures)
Windows98 : Choreographies of Interruption
Catherine Massey (NYU, Gallatin School of Individualized Study)
Shifting in Our Seats: Breaking Down the Dance Audience
Latika Young ( Florida State University)
“Vlogging,” “Dorky Dancing,” and the Rise of Self-Produced Dance on the Internet
Panel: Dancing Ways of Knowing
Location: ARTS 100
Moderated by: Melissa Blanco (UC Riverside, Dance)
Mary Elizabeth Anderson (UC Davis, Theatre and Dance)
Site Maps the Body and the Body Dances Site: Breaking in New Cognitive Maps in Site Specific Performance
Noemie Solomon (NYU, Performance Studies)
Breaking the ground of L’Opéra de Paris: Jérôme Bel and the unfolding of affective gestures
Emily Wilcox (UC Berkeley, Medical Anthropology)
Technique and Innovation: Theorizing and Historicizing “Virtuosity” as a Keyword in Performance Studies
Panel: Dancing Identities
Location: ARTS 166
Moderated by: Cindy Garcia ( Occidental College, Anthropology)
Mark Broomfield (UC Riverside, Dance)
Dance of the Male Goddess – Dancing the Divine
Justine Lemos (UC Riverside, Anthropology)
ORIENTations
Laura Osweiler (UC Riverside, Dance)
How Experimental Processes Become a Subject within Middle Eastern Dance
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